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8 Artists Bringing Traditional Country Music Back: Zach Top, Randall King, Emily Nenni & More On Why "What's Old Becomes Beloved Again"
While the traditional country sound has never been fully lost, pop production and folk stylings have been at the genre’s forefront in recent years. But rising stars like Jenna Paulette and Jackson Dean are ensuring that old-school sounds never die.
Between chart domination and stadium tours, there's no denying that country music has been on a hot streak lately. As the likes of Luke Combs, Lainey Wilson and Morgan Wallen help the genre achieve mainstream success, a renewed popularity in the country's traditional stylings has been front and center — and there's a new wave of rising stars continuing the trend.
Of course, country's twangy soundscapes — augmented by everything from blistering banjos to meandering mandolin, fiery fiddle and some of the most earnest songwriting around — have been persistent for decades. Plenty of stars, including Chris Stapleton, Cody Johnson, Miranda Lambert and Ashley McBryde, have taken cues from genre trailblazers like George Strait and Dolly Parton. But more than a decade after the bro-country explosion and the pop-country takeover, country music may be going back to its roots more than it has in years.
Among the new generation of country traditionalists is Randall King, who kicks off 2024's slate of traditional releases with his second studio album, Into The Neon, on Jan. 26. When it comes to the invigorated allure of country music's roots, the Texan has his theories.
"Traditional country music is more about the song, people writing from the heart and telling great stories rather than pandering to a commercial audience," he tells GRAMMY.com.
Below, King and seven others in the new crop of traditional country artists reflect on their musical roots and the subgenre's resurgence.
Jackson Dean
Hometown: Odenton, MD
Signed label/publishing deal: 2021
Listen to: "Don't Come Lookin'," which peaked at No. 3 on Billboard's Country Airplay chart in February 2022
Since releasing his debut album, Greenbroke, in March 2022, Jackson Dean has continued to prove he's a star in the making. Greenbroke's lead single, "Don't Come Lookin,'" made him the youngest solo male country artist to top the Country Aircheck charts with their debut, landing at No. 3 on Billboard's Country Airplay chart as well. The Maryland-born, Nashville-based singer is on his way to similar success with his follow-up single, "Fearless (The Echo)," which resides at No. 18 on the Country Airplay chart as of press time.
With a vocal presence that conjures up the gritty mystique of Johnny Cash's "Man In Black" and liveliness of Luke Combs, Dean says he appreciates the full spectrum of country sounds, no matter where or how it's formed. As for the current traditional boom, Dean credits the internet for the current traditional boom.
"[With] social media and memes, people are able to pull things out of the archives and share them to a new audience,"speculates Dean. "There is also a love of nostalgia these days and a bit of a trend of romanticizing things of the past. What's old becomes beloved again."
Dylan Gossett
Hometown: Austin, TX
Signed label/publishing deal: 2023
Listen to: "Coal," which has amassed over 75 million streams
Inspired as much by crossover stars like Zach Bryan as he is by traditionalists like Alan Jackson, Dylan Gossett began making waves this past spring with his covers of the Lumineers' "Ophelia" and Flatland Cavalry's "A Life Where We Work Out" posted online. But soon his originals really put him on the map.
The lifelong Texan went viral in July with his second-ever single, "Coal," a humble and stripped-back song of struggle. "Coal" closes out Gossett's six-song debut EP, No Better Time, which taps into the traditional sound with a simple instrumental that doesn't overpower, but instead compliments deeply vulnerable and metaphorical lyrics like "They say pressure makes diamonds/ How the hell am I still coal?"
Gossett became the first artist to sign with Big Loud Texas (an offshoot of Big Loud Records co-founded by Miranda Lambert and Jon Randall) in November. Less than a month later, he announced his first headlining tour, which sold out in less than a week.
So, why does Gossett think traditional country music is on the rebound? "I think people are diving back into real instrument and lyric-driven music," he says.
Kimberly Kelly
Hometown: Lorena, TX
Signed label/publishing deal: 2021
Listen to: "Summers Like That" from 2022's "I'll Tell You What's Gonna Happen," her Show Dog Nashville debut
While growing up in Texas, Kimberly Kelly watched her mom struggle to chase musical dreams while simultaneously pursuing a master's degree. In 2012, Kelly's sister Kristen earned a record deal in Nashville and brought her on the road, giving her a behind-the-scenes look at the music business — ultimately inspiring her own artist journey.
Enter the aptly titled I'll Tell You What's Gonna Happen, Kelly's long-awaited 2022 debut full of classic country sass, dynamic vocals and compelling storytelling.. With songs like "Honky Tonk Town," "Blue Jean Country Queen" and a cover of Billy Joe Shaver's "Black Rose," the record honors torchbearers like Patsy Cline and Patty Loveless with a mix of easy-going ballads and hard-driving bangers.
"I think it always comes back around because it's about real-life storytelling," Kelly says of the traditional sound. "Even I enjoy catchy bops, good grooves and songs that don't make me have to think too much, but every now and then you need to hear something that really tugs at your heart."
Randall King
Hometown: Hereford, TX
Signed label/publishing deal: 2019
Listen to: "You In A Honky Tonk" from 2022's Shot Glass, King's debut album for Warner Music Nashville
After building an independent following through a rigorous touring schedule, he eventually signed with Warner Music Nashville in September 2019. As his 2022 LP, Shot Glass, displays, King playfully mixes the lightheartedness of Jon Pardi with the sincerity of George Strait. Its forthcoming follow-up, the 18-track Into The Neon, will further tackle old school tropes through a modern lens, as evidenced on "Burns Like Her" and "Hang Of Hangin' On."
"I believe there's a way to blend some modernism into traditionalism," King suggests. "In this day and age you can take advantage of technology that you didn't have before and create great sounds. Sounds that are edgy yet natural while still holding to the roots and the value of traditional country music."
Emily Nenni
Hometown: Orinda, CA
Signed label/publishing deal: 2022
Listen to: "Can Chaser" from 2022's On The Ranch, her debut album for New West Records
Raised on her parents' Patsy Cline and Hank Williams cassettes, it's no surprise that Emily Nenni turned into a honky tonk queen.
Approaching a decade in Nashville, the artist put her name on the map in 2022 with her New West Records debut On The Ranch, a collection of songs that largely came together during a stint on a Colorado ranch in the height of the COVID-19 pandemic. It has everything traditional purists love — a blistering backbeat, plenty of pedal steel and lyrics about everything from strained relationships to baddass barrel racers. A follow-up to it is expected to come later this year.
"Traditional country music has such charm. It's honest, it's playful, it's sad, it's rowdy," Nenni says. "Some people love it because they want to go dancing all night at the honky tonks. Others are listening for the lyricism. Even some folks who just like it for the cowboy boots! There are all kinds of reasons and all kinds of people, and that makes me happy."
Jenna Paulette
Hometown: Lewisville, TX
Signed label/publishing deal: 2021
Listen to: "You Ain't No Cowboy" from 2023's The Girl I Was
Some of Jenna Paulette's earliest memories involve helping tend to her family's ranch and singing along to songs from the Chicks, Shania Twain and Reba McEntire with her siblings from the back seat of their piping hot gold Suburban. Even 10 years into living in Nashville, she makes it back to West Texas to help work the land whenever she isn't on the road or writing.
That blue-collar work ethic and humility has not only paid off on the farm, but in her musical pursuits as well. In 2022, CMT named her as part of its Next Women of Country class. Then in March 2023, Apple Music named her Country Riser of the Month as she celebrated the release of her transformative debut album, The Girl I Was. On the 16-song project, she fuses the sounds of Twain and Miranda Lambert, tackling mental health with the somber "You Ain't No Cowboy" and waxing philosophical on "Country In The Girl."
Whether back at home checking cattle or on some stage singing her songs, Paulette plans to keep her boots dirty and her soul clean every step of the way.
"I think people are craving something real in a world that breeds fast food, clickbait fame and the appearance of perfection," Paulette hypothesizes. "They want homemade biscuits, depth and family. They need something to remind them of their roots. The things I hold dearest and want to exemplify with my music are the things I think so many are longing to know still exist in our culture. It's actually pretty beautiful and gives me hope for the future."
Brit Taylor
Hometown: Hindman, KY
Signed label/publishing deal: 2023
Listen to: "No Cowboys" from 2023's Kentucky Blue, which was co-produced by Dave Ferguson and Sturgill Simpson
Brit Taylor hit rock bottom after a decade in Nashville. Between 2017 and 2018, she went through a divorce, her band disbanded, she nearly lost her home and lost her publishing deal.
But in the years since, she's bounced back in stunning fashion, beginning with the release of her solo debut, 2020's Real Me. Its highly anticipated follow-up, 2023's Sturgill Simpson and Dave Ferguson co-produced Kentucky Blue, was praised for its sincere storytelling and classic country soundscapes, leading to her Grand Ole Opry and performances on bigger and bigger stages in the months that followed.
With plans to release Kentucky Bluegrassed — an eight-track project containing five previously recorded originals done bluegrass-style along with three new tunes — on Feb. 2, Taylor will be incorporating the sounds of her Appalachian youth into her music more than ever before. Despite shifting sounds, Taylor says that today's modern studio tools can still be used to embrace the traditional, citing Kacey Musgraves as an example of someone who blends "the bells and whistles and all the styles she loves while still being her authentic self."
"At the end of the day, traditionalist or not, I think artists should be themselves and not try to chase after the current trends or even try to chase their past selves," Taylor proclaims. "Every artist should feel free to be true to the person they are at the moment they are in."
Zach Top
Hometown: Sunnyside, WA
Signed label/publishing deal: 2021
Listen to: "Like It Ain't No Thing," which reached No. 1 on the Bluegrass Today charts in February 2022
Opposite of Taylor, Zach Top is looking to parlay an upbringing in bluegrass music into a career in country music. After reaching No. 1 on the Bluegrass Today charts with "Like It Ain't No Thing" in early 2022, Top became the first signee to independent Nashville label Leo33 in September 2023.
Since then, the Washington state transplant has released a series of singles including the Kenny Chesney-esque "Busy Doin' Nothin' and George Jones-fueled croons on "Justa Jonesin'." Each song has been twangier than the last, as Top recounts his love of the "No Shoes, No Shirt, No Problems" and "White Lightning" eras of country music that shaped him — a concept he's expected to further delve into on the 12-song Cold Beer & Country Music out April 5.
"I think Nashville lost some of its soul in the last decade or two," asserts Top. "And I think that people, audiences, radio listeners, ticket buyers, whoever it is, got pretty tired of that. So they're looking for something that's got some more soul. And I think that absence of soul is why you see some of the real, raw-sounding music become very popular with people. We lost a lot of soul for a long time. People want soul."

Photo: Jason Kempin/Getty Images for BRELAND & Friends
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12 Must-See Acts At Stagecoach 2024: Tanner Adell, Charley Crockett & More
Before the country music festival returns to the California desert April 26-28, get to know some of the most buzzworthy artists set to take this year's Stagecoach Festival by storm.
In a matter of days, some of country music's best and most promising acts will come together in Indio, California for Stagecoach Festival 2024. The annual event has spotlighted an eclectic mix of talent since 2007, but this year's impressive roster of performers helped Stagecoach earn its largest number of ticket sales in the festival's 17-year history.
Held April 28-30 at the Empire Polo Club — the same scenic desert landscape as the long-running Coachella Music and Arts Festival — this year's Stagecoach Festival offers a diverse blend of artists that spans from headliners like Miranda Lambert and Eric Church to surf-pop icons the Beach Boys, hit rockers Nickelback and hip-hop star Post Malone.
Along with this diverse roster of superstars, the 2024 Stagecoach lineup is filled with a captivating list of artists on the rise. From a singer/songwriter enjoying a much-deserved comeback to a skillful 25-year-old putting his own spin on the '90s country sound, this year's crop of talent is paving the way for the future of country music.
Stagecoach Festival 2024 is completely sold out, but country fans who didn't snag their ticket in time can still enjoy all the festivities by streaming performances live via Amazon Prime all weekend long. Before you head out into the California sun or get cozy in front of your TV, take a moment to learn more about these 12 must-see acts coming to Stagecoach this year.
Tanner Adell
Since the release of Beyoncé's country-inspired album COWBOY CARTER, singer/songwriter Tanner Adell has become one of the genre's most talked about new artists. Before she was tapped as a guest vocalist on Beyoncé's cover of the Beatles' classic "Blackbird," and original track "AMERIICAN REQUIEM," Adell had already garnered a dedicated fan base online.
Thanks to viral hits like "Buckle Bunny," the playful title track of her 2023 debut album, the Nashville-based talent has earned praise from both critics and country listeners worldwide. From heartfelt ballads to beat-driven bops made to get you on the dance floor, Adell blends elements of radio-ready modern country and rhythmic hip-hop with ease.
Adell's Saturday performance at Stagecoach promises to be a fiery and fun showcase of her polished pop-country songbook.
Zach Top
While growing up in Washington state, Zach Top forged a deep connection to the sound of traditional country music. From Marty Robbins to Keith Whitley, the influence of the genre's past is deeply entwined in every track of the talented 25-year-old's brand new record, Cold Beer & Country Music.
Top's 12-track LP has earned plenty of buzz for its new take on the neo-traditionalist style that dominated country radio in the late 1980s and early '90s. With engaging vocals reminiscent of the late Daryle Singletary and thoughtful lyricism, Zach Top provides a fresh new take on a familiar and formative sound.
Brittney Spencer
Over the past five years, Brittney Spencer has repeatedly proven why she's one of the most important and captivating voices within modern country music. From her acclaimed 2021 single "Sober & Skinny'' to her celebrated collaboration with country supergroup The Highwomen, Spencer's vocals are consistently as emotive as they are effortless.
Spencer's charismatic personality and boundless energy take center stage through every performance, making her live shows a can't-miss event. Her Sunday afternoon set at Stagecoach offers a chance to hear cuts from her stellar debut album, My Stupid Life, which dropped in January.
Vincent Neil Emerson
Texas native Vincent Neil Emerson first earned widespread praise with the 2019 release of his debut album, Fried Chicken and Evil Women, earning him comparisons to influential artists like Guy Clark and Townes Van Zandt. His narrative-driven lyrics and hauntingly raw vocals have won the hearts of country fans far outside the Texas plains.
Over the years, he's collaborated with fellow alt-country favorite Colter Wall and recruited the creative genius of Rodney Crowell, who serves as producer on Emerson's self-titled 2021 LP. With his most recent album, the Shooter Jennings-produced The Golden Crystal Kingdom, Emerson once again channels the old-school magic of the traditional country that only comes from a rare type of Texas troubadour.
Katie Pruitt
Although Katie Pruitt has been locally lauded as among the best of Nashville's modern crop of singer/songwriters for years, her rise into the mainstream is still overdue. The Georgia native's stunning 2020 debut album, Expectations, was hailed for its raw honesty and effortless vocal intricacies.
When she takes the stage during the final day of Stagecoach 2024, Pruitt will be armed with a brand new batch of awe-inspiring songs. Released on April 5, her sophomore album, Mantras, delivers an unpredictable, genre-bending sound that displays a sense of artistry far beyond her years. Don't miss your chance to see Pruitt's mesmerizing live set, which is guaranteed to have you dancing and maybe even wiping away a few tears.
Carin León
In just a few short years, beloved Mexican singer/songwriter Carin León has evolved from a regional hitmaker to an internationally known talent. His reflective and honest songs have connected with audiences globally, becoming one of Spotify's most streamed modern Mexican artists.
Earlier this year, the two-time Latin GRAMMY-winner made his Grand Ole Opry debut, and will serve as the opening act for rock legends the Rolling Stones' Hackney Diamonds Tour when it heads to Glendale, Ariz. this May. (And just one week before his Stagecoach debut, he also made his Coachella debut.) Fans who catch his Friday set may be lucky enough to see a live rendition of "It Was Always You (Siempre Fuiste Tú)," his fresh collaboration with fellow Stagecoach 2024 artist Leon Bridges.
Trampled By Turtles
Thanks to their unique blend of bluegrass, folk, country, and a dash of rock and roll, Minnesota-based outfit Trampled by Turtles has become a music festival staple — and will make their third Stagecoach appearance (and first in 10 years) on Saturday. Their high-energy live sets channel the psychedelic magic of rock's jam band scene, subbing plucky acoustic instrumentation in the place of rolling electric guitar.
The long-running band will treat fans to an array of tracks from their impressive career, which spans 10 albums, including their critically praised 2022 LP, Alpenglow. Even if you aren't already familiar with Trampled by Turtles' extensive list of releases, you're sure to be captivated by their hypnotizing performance style and positive energy that radiates from the live stage.
Charley Crockett
Texas-born talent Charley Crockett is one of few modern artists who have proven worthy enough for the coveted title of "troubadour." The seasoned singer/songwriter's appearance at Stagecoach will coincide with the release of $10 Cowboy, his soulful and synth-tinged 16th studio album.
Crockett's mix of traditional country and thoughtful folk, infused with gritty 1970s pop, creates a nostalgic charm that captivates the live stage. His descriptive story songs and distinctive twang echo the genre's early greats while expanding those classic country themes into new and surprising sonic territory. His Stagecoach 2024 set is sure to deliver a blend of fresh album cuts along with fan favorites from his already-expansive catalog.
Lola Kirke
You may know Lola Kirke as an accomplished actress in both television and film, but the British talent is also one of country music's most surprising new artists. Her stylized mix of traditional country and edgy pop-rock is refreshingly fun and tailor-made for Stagecoach's good-time vibe.
In recent months, Kirke has shared a string of infectious singles leading up to the release of her latest EP, Country Curious. In March, she dropped a stellar take on the Paula Cole classic "Where Have All The Cowboys Gone?" featuring Stagecoach 2023 alumni Kaitlin Butts. Make sure you clean off your boots before Kirke's set, because there's a good chance she'll have a very special line dance lesson ready for the crowd.
Willie Jones
For nearly a decade, Louisiana-born talent Willie Jones has captivated country fans with fresh and genre-bending tracks, propelled by deep, rich vocals. Since first making waves with his rendition of Josh Turner's "Your Man" during an audition for "The X-Factor" in 2012, Jones has been paving his own path in the genre.
He's recorded two full-length records, including his irresistible 2023 LP Something to Dance To. His Stagecoach set will certainly be a boot-stomper, offering concertgoers a chance to experience the magic captured on his latest EP, The Live Sessions, which arrived on April 5.
Sam Barber
Missouri native Sam Barber has evolved from a hopeful musician to a viral sensation with a major-label record deal. While passing the time at college, the gifted 20-year-old began recording covers of his favorite country tracks and shared them on TikTok, quickly garnering thousands of eager listeners. His down-to-earth charm, paired with surprisingly seasoned and gritty vocals, also earned the attention of Atlantic Records.
In 2023, they shared Barber's debut EP, Million Eyes, which spawned the breakthrough radio single "Straight and Narrow." Now, fresh off the release of Live EP 001 and a string of new singles, Barber will bring his thoughtful yet edgy country sound to Stagecoach, marking another rapidfire career accomplishment.
Luke Grimes
Although you may know him best for his role as the chaotic charmer Kayce Dutton on the acclaimed television series "Yellowstone," Luke Grimes' creative talents expand far outside the small screen. A lifelong musician and lover of country music, Grimes took the stage at Stagecoach 2023 in support of his debut EP, Pain Pills or Pews. The project's raw and honest tracks earned critical acclaim and quickly led Grimes back into the studio, tapping Dave Cobb as producer for his vulnerable new self-titled LP, which arrived on March 8.
Whether you're a longtime fan of his acting or an already devoted listener, Grimes' set marks a pivotal moment in his ever-evolving musical career — and one of many can't-miss moments at this year's Stagecoach Festival.
Why 2024 Is The Year Women In Country Music Will Finally Have Their Moment

Photo: Erika Goldring/WireImage
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12 Must-See Acts At Stagecoach 2023: Nate Smith, Morgan Wade, Jackson Dean & More
Before the famed country music festival takes place on April 28-30, take a look at some of the rising stars to check out whether you'll be at Stagecoach or tuning in from home.
Now that the Coachella dust has settled at the Empire Polo Club in Indio, Calif., it's time for country music to take over.
Since 2007, the Stagecoach Festival has been bringing some of the biggest names in country music to the desert. This year is no different, with the festival featuring headliners Luke Bryan, Kane Brown and Chris Stapleton, along with some of country's newer hitmakers, including Bailey Zimmerman, Parker McCollum, Gabby Barrett, Lainey Wilson and Tyler Childers.
In addition to the always exciting headliners and stars, Stagecoach continues to be a showcase for up-and-coming talent. Several budding country and folk artists are on this year's roster, from a genre-bending New Jersey native to a bluegrass songstress with a powerful voice.
For fans who can't make the trip to catch the action in person, Stagecoach will be live streaming all weekend on Amazon Prime. No matter how you're enjoying the festival, get to know 12 acts to catch at Stagecoach 2023.
Nate Smith
The weekend will be a big one for Nate Smith all around: Not only will the California-born singer make his Stagecoach debut, but he will be releasing his self-titled debut album on the same day, Friday April 28.
It's been a long road to success for Smith, who first moved to Nashville in his early 20s. After things didn't take off, he returned home to Paradise, Calif.; in 2018, he lost everything he owned in the massive wildfire that ripped through his hometown.
But through it all, he found hope through music, and returned to Nashville to try again. Now, he has a No. 1 song — the gritty breakup romp "Whiskey On You" peaked in January — and a rejuvenated soul that is clearly resonating.
Tiera Kennedy
Tiera Kennedy's smooth voice and southern charm first caught the attention of Nashville in 2019, when she was signed as the flagship artist on Songs & Daughters, a publishing company founded by songwriter Nicolle Galyon. In 2020, she released her first single "Found It In You" to critical acclaim.
Since then, Kennedy has independently released a self titled EP, giving fans a more full sense of who she is as an artist and songwriter. The release also led to a record deal with Big Machine Records in 2021.
Kennedy's bright personality has resonated just as much as her music, as the singer hosts her own show on Apple Music Country. Titled The Tiera Show, the program sees Kennedy sharing her take on what's on the rise in country music with a very personal touch.
Jackson Dean
Another artist making his Stagecoach debut this year, Jackson Dean has been winning over country music fans with his outlaw style and unique, gritty voice. He's already scored a top 5 hit with his debut single, "Don't Come Lookin,'" which reached No. 3 on Billboard's Country Airplay chart.
Dean's success has not been limited to just the charts, either: "Don't Come Lookin'" was featured on the TV show 'Yellowstone,' and he's been included on a number of artists to watch lists including Spotify's Hot Country Artists to Watch in 2023, Amazon Music's 2023 Breakthrough Artists to Watch: Country Class, and CMT's Listen Up class of 2023.
After selling out his headlining debut in Nashville in January, Dean will spend the majority of the year headlining sold-out shows and supporting the likes of Luke Bryan, Eric Church, Parker McCullum, Lainey Wilson, and Jon Pardi.
Mackenzie Carpenter
After first seeing success as a co-writer on Lily Rose's breakthrough song, "Villain," Mackenzie Carpenter has since made a name for herself as an artist in her own right. The Georgia-born singer's down-home personality shines through in her fun country-pop tunes including the catchy cautionary tale "Don't Mess With Exes" and the heartbreaking ballad "Jesus, I'm Jealous" — all of which ultimately prove that she isn't afraid to be herself.
In less than a year since signing with Big Machine imprint Valory Music Co., Carpenter has enjoyed many career milestones, including a Grand Ole Opry debut and an invitation to CMT's Next Women of Country class of 2023. And just weeks before taking the Stagecoach stage, Carpenter released her debut self-titled EP.
Breland
Since the release of his debut single "My Truck" in 2019, Breland has been making waves in the industry by stretching the boundaries of country music. The New Jersey native's sound is derived from a mix of hip-hop, R&B and gospel, while still remaining recognizably country — he even titled his debut album Cross Country.
Breland's feel-good, diverse sound has already helped him land collaborations with country superstars, including Sam Hunt, Keith Urban and Dierks Bentley. His single with the latter, "Beers On Me" (also featuring HARDY), scored Breland his first No. 1 on the Country Airplay chart, but he's proving to make an impact in his own right with more than 1 billion streams to date.
This year marks Breland's second year in a row on the Stagecoach stage, as he performed at the Late Night at Palomino after-party in 2022.
Bella White
Bella White brings a fresh perspective to an old-time sound. The Canadian artist serves audiences traditional bluegrass sounds with a clear, powerful voice.
White's voice, however, is not her only strength. She's also a skilled instrumentalist, as she was raised in a musical household and was drawn to the mandolin and banjo early on in her life.
Following the success of her debut album Just Like Leaving, White signed to Rounder Records in 2021. Just ahead of her Stagecoach performance, White released her second album, Among Other Things, on which she explores heartbreak and a wider breadth of sounds, weaving drums and electric guitars into her traditional-sounding strings.
Kameron Marlowe
After a short stint on 'The Voice' in 2018, Kameron Marlowe began paving his own way in Nashville. The singer has made a name for himself with his signature smoky voice, while making sure his music is a true reflection of who he is.
Marlowe gained traction with his first independent release, 2019's "Giving You Up," which helped him land a record deal with Sony Music Nashville in 2020. He's since released his debut album, 2022's We Were Cowboys, and has sold out shows across the country — including his hometown of Charlotte, N.C.
Marlowe nods to his home state in his latest release, "Take Me Home," in which he grapples with the changes that come along with success: "I hate feeling like I'm someone / That I've never been before / Take me home to Carolina / I don't wanna be here anymore," he sings.
Morgan Wade
A trailblazing country singer with an edge, Morgan Wade has captivated audiences with the striking vulnerability of her music. Wade takes her experiences with heartbreak, mental health and addiction and crafts them into songs that stick with listeners.
Wade's voice borders on the edge of country and rock, which makes her moving lyrics all the more affecting. That is particularly true on her breakout track, "Wilder Days," which takes listeners through the raw emotion of finding the right person at the wrong time.
Since the 2021 release of Wade's album Reckless, she has been touring nonstop, both in the U.S. and overseas. Wade's Stagecoach performance is one of over 65 tour dates for 2023, giving fans across the country and around the world a chance to experience her powerful music live.
Tre Burt
Folk artist Tre Burt uses his storytelling prowess to tell the stories of the moment, amplified by his rootsy sound. Burt engages audiences with tracks like "Under the Devil's Knee," a protest song written during the upheaval of 2020, a year during which he found musical inspiration in the chaos surrounding him.
Since hitting the scene, Burt has performed with artists including Nathanial Ratecliff and Margo Price, and has become a staple at folk festivals around the country. Burt expanded on his deeply affecting sound with his second album, You, Yeah, You, which arrived in 2021; with his powerful delivery on stage and on record, he's been labeled a "storyteller and musical philosopher," and a "troubadour" blazing his own path.
Jaime Wyatt
Jaime Wyatt's success has been long and hard-earned. The singer/songwriter entered the music business when she was just a teen, and the now 37-year-old has kept her nose to the grindstone ever since. Her years have been colored with late nights in honky tonks, addiction, and recovery, and she details it all in her traditional country music.
Wyatt's 2020 release, Neon Cross, challenged the genre, as the singer examined her identity as a queer woman, and positioned herself as a true outlaw in the landscape of the industry. In 2021, she released a merch line with a portion of the proceeds benefiting G.L.I.T.S, an organization that addresses systematic discrimination of LGBTQIA+ individuals. In being true to herself, Wyatt has provided a beacon of hope for queer artists and fans alike.
Kaitlin Butts
Kaitlin Butts has made a habit out of being a good listener, crafting the stories she hears into fun, innovative country songs. Like many of her Stagecoach cohorts, Butts has a versatile sound, drawing in influences from rock and 90's emo music — but the baseline is always undeniably country.
While Butts has been releasing music since 2015's Same Hell, Different Devil, this past year has been a whirlwind for the budding star. Her second album, What Else Can She Do, landed in the top 10 of Billboard's Americana Albums chart; the title track earned a spot on Rolling Stone's "100 Best Songs of 2022" list.
Within a span of six months, Butts played the Ryman Auditorium and made her Grand Ole Opry debut, and has opened for fellow Stagecoacher Morgan Wade as well as playing several other festivals.
American Aquarium
American Aquarium, led by BJ Barham, incorporates elements of country, folk and rock music into their thought-provoking music.The group's lyrics wrestle with some of life's biggest problems and tell delicate, personal stories.
The band's latest record, Chicamacomico, is a journey through the lead singer's personal losses. The album is a departure from the band's previously harder, rock-leaning sound, presenting more stripped-down tracks that lean more on Barnham's stirring vocals. Even so, Chicamacomico has been hailed as their best album yet.
Over the span of a 20-year career, American Aquarium has cycled through many members; Barnham being a mainstay on lead vocals. The band has proven their staying power in the industry, and their presence at Stagecoach proves that the festival is a celebration of country music in all its forms.

Dixie Chicks at the 42nd GRAMMY Awards
Photo by LUCY NICHOLSON/AFP/Getty Images
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Ashley McBryde, Ryan Hurd & More Country Artists Look Back On Dixie Chicks' 'Fly'
The Recording Academy speaks to current mainstream staples, Americana noise-makers and promising newcomers on the importance of 'Fly' in their own work and personal journeys
The impact of the Dixie Chicks goes far beyond album sales and touring figures. Natalie Maines, Martie Maguire and Emily Strayer have had an undeniable influence on much of modern country music, and in many instances, they were the driving force behind many of today’s artists. GRAMMY nominee Ashley McBryde felt the power the three women from Texas could have when she was just 11 or 12, attending her first-ever concert.
"The Dixie Chicks' Fly Tour was my first major concert. We lived so far in the hills we didn’t get to go to many concerts," recalls McBryde. "I asked my mother if I could stand in my chair, and she said, 'Only for the first couple songs. Don’t block anyone, honey.' The crowd roared 'Dixie Chicks! Dixie Chicks!' I looked at mom and said, 'I want this, mom.' She said, 'What, baby?' I answered, 'An arena full of people screaming my name. And I’m gonna have it.' My mother smiled and said, 'I believe you will, my sweet girl.'"
"So the Dixie Chicks' success meant everything to me. They showed me that we can do the damn thing," she adds. "Fly was a flawless record. There's not a single track you can skip. And for girls like me, who listened to it on repeat nonstop, that sound, those harmonies, that sass and drive, it seeped into our own sounds. It endures because it helped shaped the next generation of artists."
McBryde is certainly not alone. The Recording Academy spoke with many current mainstream staples, Americana noise-makers and promising newcomers for a track-by-track commentary on select tracks and the importance of Fly on their own work and personal journeys.
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"Ready to Run"
Carly Pearce: "Ready to Run" was an iconic song for me and one of the songs that I sang over and over. Growing up, I remember hearing it and thinking, "Wow, this is the kind of music I want to make." Also, no one sings like Natalie! The Dixie Chicks paved the way for women in country music, and I’m still inspired by their music today. I can only hope to inspire others the way "Ready to Run" and The Dixie Chicks have inspired me.
"If I Fall You're Going Down with Me"
Gone West (Colbie Caillat, Justin Young, Jason Reeves and Nelly Joy): We love the high energy vibe that is felt in "If I Fall You’re Going Down With Me," even though it's still very organically produced. The creative background vocals and hooky fiddle lines, as well as creative chord changes, truly takes the listener on a ‘falling in love’ rollercoaster journey. You can truly feel the girls emotions conveyed in every single word that's sung with conviction which is refreshing! Falling in love should be flirtatious and fun, which is exactly how this track feels to us.
"Cowboy Take Me Away"
Gwen Sebastian: I believe while the album was ahead of its time, it still maintains a classic approach on what country music stands for, which is realness in the lyrics. I can't but help to sing along to the infectious melody, and as a female, I have a tendency to fantasize that there's a ‘hero’ to take me away from the real world. I think every girl wants to be rescued every now and then. The band were ‘outlaws’ in their lyrics and melodies, yet were able to be mainstream which is a difficult thing to accomplish.
"Cold Day in July"
Ryan Hurd: I bought this album on vinyl for Maren [Morris] for Christmas, so we sat and listened through it again one night at home. It's timeless, and it’s familiar and still such a stunning piece of work. "Cold Day in July" is one of those songs that seems so obvious. It’s one of those "how did I not think of that" songs. It’s the kind of song that makes country music special and makes me so excited for their new project.
"Goodbye Earle"
Runaway June (Naomi Cooke, Hannah Mulholland, and Jennifer Wayne): It took a band as big as the Chicks to record "Goodbye Earl" and give it the personality it had. The song was ahead of its time, and I can’t imagine another band recording it and attributing as much as the Chicks had.
"Hello Mr. Heartache"
Cam: I love the throwback shuffle. It reminds me of country my grandparents would listen to, so it immediately earned a place in my heart. Casually talking to your heartache like it’s an old, unwanted friend is so brilliantly country, and to set the whole thing to dancing music, it puts humor and acceptance in it. For a teenager constantly overwhelmed by emotions, it felt real nice to have a name for that heartbreak process and be able to laugh and dance my way through it.
I was around 13 or so, at a big outdoor swim meet in the heat of summer in California and a friend started singing "Wide Open Spaces." I was like, "What is that?" They said, "You haven’t heard of the Dixie Chicks?," and started rattling off song titles and singing the hooks from hits. I went and bought Fly on CD and sat in my room, absorbing the music while pouring over each page of the album booklet. I loved the sounds, their voices, the lyrics, but I don’t think I realized till I was older that it was the confident delivery that was something I needed. No matter the situation (heartbreak, murder, not ready to get married), they sounded so unwaveringly clear about how they were feeling.
"Don't Waste Your Heart"
SmithField (Jennifer Fiedler and Trey Smith): Fly was such an iconic album! Being a duo that relies so much on harmony in our music, the Dixie Chicks were such an example to us both growing up of the importance of having voices that complement each other in a group/duo act. "Don’t Waste Your Heart" is such a dynamic song in the way that the single vocal transitions in to three-part harmonies at the top of the chorus and creates a true moment. The undeniable heart and angst in Natalie's lead vocal also really sets it over the top. We strive to create moments like that in every piece of music we record.
"Sin Wagon"
Mickey Guyton: Personally, when that song came out, I was quite young. "Mattress dancin'" was a new term for me. But what I love about this song is the fact that they were singing their truth. No one is perfect. We all have our vices. And they sang about it in this song proudly. I just loved them, and they were an amazing addition to all the amazing women I loved listening to growing up. In today's environment, however, I can tell you that they mean the world to me. The Dixie Chicks inspire me to live my truth. They were living their truth when it wasn’t necessarily the cool thing to do. They were standing for what they believed in when it was looked down upon. Today, I think that is badass, and I wish I understood the importance of what they were doing back then.
This album was about grown-ass women doing grown-ass things and dealing with grown-ass problems. People want real, and that is why they will always influence modern music. They were real. They said what everyone else was thinking.
"This album was about grown-ass women doing grown-ass things and dealing with grown-ass problems. People want real, and that is why they will always influence modern music. They were real. They said what everyone else was thinking."
"Without You"
Jenna Paulette: The Dixie Chicks have always been a huge inspiration for me. Being from Texas, I felt they were telling every Western girl's story. They were the voice of the country music I fell in love with. I know every word to the Fly album, I remember singing "Without You" at the top of my lungs in the middle of my favorite creek at our ranch and feeling like I had been through what they were singing about even though I was wayyy to young to know that kind of heartbreak. That album, top to bottom is one of the greatest country albums ever, it still challenges me to be a better artist and create music that resonates with people like it did with me.
"Some Days You Gotta Dance"
Hillary Scott of Lady Antebellum: This song always puts a smile on my face and immediately makes want to dance. Several years after it was released, I remember singing this song on Nashville’s Lower Broadway making everyone in the bar do the same!
"Hole in My Head"
Aubrie Sellers: The Dixie Chicks made a career out of being daring. Fly as a whole was a dynamic statement of independence, pairing great songs with gutsy performances. Here were three women who weren’t afraid to grind some gears and stick up for what they believe in at a time when it wasn’t as trendy. Covering a song like "Hole in My Head" was a shake-up in a genre that sorely needed them, and for girls like myself growing up at the time, it was a battle cry to live a little louder and embrace your rough edges. Their affinity for great songs is what always kept me coming back for more, and this one was written by one of my all-time favorites Buddy Miller, the king of raw soul and unaffected songwriting.
"Heartbreak Town"
James Barker of James Barker Band: I think there’s a whole generation of writers and artists in Nashville that were raised on this album in its entirety. The Dixie Chicks did such a great job of blending their musicianship with deep, but still very country, lyrics. They didn’t shy away from speaking about the negative sides of any situation, and this song specifically speaks about the down side to chasing your creative dream. It’s funny, because when I went back and listened to this song, after not hearing it for probably 10 years, it really opened my eyes. It was a bit of a "holy crap, that’s heavy" moment. Their portal of emotion is bang-on.
"Let Him Fly"
Jamie Lin Wilson: I got a guitar Christmas of 2000 after watching the Dixie Chicks' Houston show on the Fly tour. My cousin and I bought tickets on a whim, and a few weeks later she gave me my first instrument. To say this record had a profound influence on my life is an understatement. I sat in my room and learned every song I could in the key of D, since those were the only chords I knew. "Let Him Fly" is in the key of D. I remember sitting there, figuring out that picking part in the beginning, feeling like I had figured out a new language. I could play music. I never looked back. The songs of the Dixie Chicks inspired girls all over the world to pick up a guitar, to sing, to use our voices and be heard. I’m sure I would have found my way here eventually, but I’m so glad I made that drive to Houston that night.

Photo Simone Joyner/Getty Images
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11 Must-See Artists At Coachella 2025: Darkside, The Dare, Clairo, Amyl And The Sniffers, Rema & More
Coachella is so much more than big name headliners. Read on for exciting acts to see each day ahead of performances by Lady Gaga, Green Day, Travis Scott, Weezer and Ed Sheeran.
Coachella is just around the corner and even if festivals aren’t your scene, it’s hard to deny that the 24th Coachella Valley Music and Arts Festival has a little something for everyone. The 2025 edition of the fest will be held in Indio, California at the Empire Polo Fields over two weekends (April 11-13 and 18-20) and promises to be an event for the ages — for a multitude of reasons.
To begin, fest organizers nailed it with the headliner formula. Among the landmark performances is Lady Gaga, who kicks off a run of dates behind just-released album Mayhem on Friday night, providing a preview of what’s to come for her legions of Little Monsters. Her performance holds even more significance as it will be her first fully realized Coachella headline set; her 2017 stand-in for then pregnant Beyoncé was relatively last-minute while this one arrives with months of planning, sure to be spectacular.
Read more: 2025 Music Festivals Guide: Lineups & Dates For Coachella, Bonnaroo, Lollapalooza & More
As with the past two years, West Coast rock legends will grace the main stage. It happened by accident in 2023 when Blink-182 stepped up to fill Frank Ocean’s shoes on the final Sunday, satisfying both nostalgia and a burning thirst for the return of rock headliners. No Doubt (technically not a headliner, but practically one given the audience they drew) reaffirmed the strategy in 2024. And this year it’ll be Green Day, who reliably draw rabid fans from every generation. To boot, the band is currently on a victory lap celebrating 30 years of Dookie and 20 years of American Idiot, which they’ve played in full.
While Green Day sits atop Saturday’s lineup on the poster, the night will be closed by Travis Scott. The rapper conceived an installation near the Sonora tent, which will “curate a Cactus Jack takeover as part of ‘a fully immersive and experiential world within the desert’,” according to a representative who talked to Complex.
Post Malone will close out both Sunday nights — a grand finale that's likely to be peppered with enough starpower to spark a supernova. Post has so many hits and collabs (see his work with Future and the surviving members of Nirvana, backup vocals for Taylor Swift and crooning twangy tunes with Jelly Roll) and previously brought out Ty Dolla $ign and 21 Savage when he closed out the Sahara tent in 2018. Who knows what he’ll bring to the Chella main stage Sunday night.
And that's just the big text. Skip to the second line and Coachella's lineup just gets better and more diverse: you’ve got the First Lady of Rap, Missy Elliott on Friday, the queen Brat herself, Charli xcx, plus punk rock progenitors the (original) Misfits on Saturday, and head honcho hot girl Megan Thee Stallion on Sunday.
Learn more: Meet The Coachella Die-Hards: 5 Super Fans You'll Find In The Desert
And of course, so much more amongst the lineup’s undercard. That realm is often where some of the weekend’s biggest moments occur: with the up-and-comers, the scrappy garage bands in Sonora, the underground EDM wizards and international breakouts ready to make their first mark in the States. Read on for a rundown of 11 must-see acts embedded in the Coachella lineup’s smaller print.
Lisa and Jennie
Two years after making history as the first K-pop group to headline Coachella, BLACKPINK is, once again, in your area. At least, half of the fearsome foursome — Lisa and Jennie — will return to Indio for respective solo sets on Friday and Sunday of both weekends. The former released her first solo album, Alter Ego, on Feb. 28, and Jennie’s full-length, Ruby, arrived precisely one week later, both debuting at No. 7 on the Billboard 200.
True to their styles within the framework of BLACKPINK, the albums lean heavily on hip-hop and feature a slew of guests: Rosalía, Raye, Doja Cat, Future and Megan Thee Stallion on Alter Ego; and Childish Gambino, Kali Uchis, Dominic Fike, Doechii, Dua Lipa and FKJ on Ruby. As most of those artists are Coachella alumni, it stands to reason that both sets could be loaded with killer cameos.
Learn more: Breaking Down Every Solo Act From BLACKPINK: From LISA's "Money" To JENNIE's 'Ruby'
Gustavo Dudamel and the Los Angeles Philharmonic
GRAMMY-winning conductor Gustavo Dudamel is poised to make history by bringing the LA Phil to Coachella on April 12 and 19, marking the first time an orchestra will perform its own set at the desert fest. While past performers like Hans Zimmer featured an orchestra, this will be the first appearance by a fully insular organization.
As there’s no precedent and few details announced, speculation abounds for what the performance might entail. Dudamel’s resumé — which spans his 15-plus years as music director for the renowned orchestra — also includes collaborations with the likes of Billie Eilish, Ricky Martin and Christina Aguilera, suggesting that the set may transcend a merely classical configuration.
Pete Tong x Ahmed Spins
What happens when one of the world’s most iconic DJs joins forces with a rising star nearly four decades his junior? It’s anybody’s guess, but Coachellans will be the first to find out on April 11 and 18 when Pete Tong links up with Ahmed Spins. The former is a fixture of the Ibiza and Miami DJ scenes, and an instrumental figure in cementing the EDM as a cornerstone of BBC Radio 1 since becoming host of multiple shows on the station in the early ‘90s. Meanwhile, the 26-year-old Moroccan (real name Ahmed Akhannouch) is a newcomer, whose 2022 Anchor Point EP has surpassed 100 million streams on Spotify. That release, which leans heavily on deep and Afrohouse music, drew the attention of Tong, who included Ahmed on his best of 2023 Hot Mix.
The upcoming live collaboration suggests Tong has taken Akhannouch under his wing, perhaps positioning the young DJ/producer as a new global ambassador for contemporary EDM that retains a classic vibe. Whether the set takes place in the massive Sahara tent or within the intimate confines of the Yuma tent, this spotlight on a veteran paired with a veritable prodigy at one of the world’s most prestigious festivals is an essential addition to your schedule.
Darkside
When Darkside — the brainchild of Chilean American composer and musician Nicolas Jaar and his multi-instrumentalist touring mate Dave Harrington — first emerged in 2011, there was no indication that the band would become more than a side project. Jaar was already considered an enigmatic experimental electro fixture for his landmark debut Space Is Only Noise and well on his way to forge a robust solo career. Indeed, their stint proved short-lived – the group announced an indefinite hiatus three years later with one full-length album, Psychic, under their belt.
To the delight of fans who’d experienced the psychedelic splendor of their live shows — which often featured mind-bending optical elements like a circular mirror that at once absorbed and reflected light akin to some portal to a heavenly plane — Darkside unexpectedly returned to the limelight with new music in 2020. The following year, they released sophomore album Spiral.
Though they’ve played overseas since, their Coachella performance is Darkside's first Stateside tour in 11 years. Their Saturday sets come hot on the heels of third album Nothing (released Feb. 28), which added drummer Tlacael Esparza to the mix. The trio’s Soundcloud describes the record as "nine transmissions of negative space, telepathic seance, and spectral improvisation … a search for form borne out of spontaneous elliptical jams, acoustic riffing, and digital levitations [featuring] serpentine guitars, extraterrestrial static, and cavernous drums." In short, the ideal desert trip.
The Dare
Under the guise of the Dare, singer and musician Harrison Patrick Smith produces music that is simultaneously playful and polished, groovy and goofy, and overall guaranteed to start a party. The infectious vibes shine through on 2024 debut album What’s Wrong With New York?, particularly on lead single "Girls," a 2-minute banger that echoes the styles of LCD Soundsystem and other distinctly NYC-bred dance rock outfits.
Smith’s rise over the past year has been meteoric. He joined Charli xcx as opening act for several dates of her Brat tour and produced the album’s deluxe edition track "Guess," plus a remix of the song featuring Billie Eilish. It bodes well that the Dare and Charli are both scheduled for Chella performances on April 12 and 19, and Eilish has a penchant for making surprise appearances at the fest.
Glass Beams
Counter to the wave of rock-oriented Australian artists currently crashing into U.S. shores, Glass Beams arrived as a gentle, meditative tide. Conceived by Indian Australian multi-instrumentalist and producer Rajan Silva (who plays drums in the three-piece band), Glass Beams offers hypnotizing, psychedelic grooves. Their songs are purely instrumental save for softly sung, wordless melodies and bewitching chants (think Khruangbin with more distinctly Eastern overtones).
Of the three live musicians, only Silva’s identity is known, and all of them wear ornate masks woven of what look like gold and diamond jewels, adding another layer of mystique to the already enthralling sonics. Glass Beams have become a staple at festivals since releasing their debut EP Mirage (2021) and full-length Mahal (2024), but it’s hard to imagine a more perfect setting than the desert landscape of Coachella. Here’s hoping they score a golden hour time slot to complete the dazzling display when they arrive April 12 and 19 for their debut at the fest.
Beth Gibbons
It’s been nearly two decades since Beth Gibbons has graced a Coachella stage. The last time was with Portishead in 2008, a performance that is among the festival's most legendary, both for its rarity (one of a tiny handful of U.S. fest appearances the band ever did) and larger-than-life presentation.
Gibbons returns April 12 and 19 to perform selections from her debut solo album Lives Outgrown, a hauntingly beautiful tapestry of grief-stricken yet life-affirming songs released last year. It feels unlikely that the production will match the epic heights of the storied Portishead set, but why should it? This is Gibbons in her most vulnerable and evolved form, an occasion that calls for the intimacy of something more stripped down. Added to that, it’s one of only a baker’s dozen of U.S. shows (and the final tour dates to boot), so there’s no argument against its making an historic impact.
Clairo
If you’ve caught one of Clairo’s shows supporting her GRAMMY-nominated album Charm, you know that she’s having a huge moment. Fans emphatically sing back every word of each song, and her stage presence is overflowing with a captivating confidence that makes her somewhat timid demeanor of past tours seem like a distant dream.
If you haven’t witnessed this pivotal shift, Clairo's return to Coachella on April 12 and 19 will be the ideal opportunity. It’s hard to imagine she won’t graduate from her Mojave tent placement in 2018 to at least the Outdoor Theatre – one of her biggest fest appearances yet and a fitting platform for an emerging queen of boldly soulful and jazz-imbued indie-pop. These are also two of the final eight dates on this jaunt, so whether you’re a diehard fan or merely a curious live music lover looking for a surefire stunner, attendance is critical.
Amyl & the Sniffers
Coachella isn’t sleeping on one of Australia’s most ferocious punk rock exports. After a 2022 showing in the Sonora tent (rescheduled from the canceled 2020 edition), Amyl and the Sniffers are already headed back to Indio for appearances on April 13 and 20. It’s no wonder considering their momentum: three albums released since 2019 (the latest, Cartoon Darkness, dropped last October) and relentless touring, including opening slots for Green Day, Weezer, Smashing Pumpkins and Jane’s Addiction.
The band’s onstage antics are as unyielding as their work ethic, and they’re every bit authentic – as snotty, raw and rowdy as punk rockers come (they don’t hold back in their songwriting either … see latest single "Jerkin’"). Namesake Amyl Taylor is a certified wild woman; the type to get a bloody nose mid-show and continue to snarl, thrash and crowdsurf while her mullet-headed band mates beat and shred the hell out of their instruments without skipping a beat. Any venue they touch transforms into a garage show riot. So, regardless of which stage they land on, Coachella should be no different.
Rema
Nigerian singer and rapper Rema has released just two albums – 2022’s Rave & Roses and last year’s GRAMMY-nominated Heis — and is already being heralded as one of the chief innovators and global ambassadors of Afrobeats. Part of his exposure to the world stage came from a collaboration with Selena Gomez on a remix of his 2022 single "Calm Down," but since then he’s single handedly carved out a space among popular music for himself and his Afrobeat peers.
Rema will make his Coachella debut on April 13 and attendees need only look to his appearance at the 2024 BRIT awards for an indication of what he plans to bring to the desert. During a performance of "Calm Down," Rema was backdropped by an elaborate stage setup, and flanked by a full band and highly choreographed and costumed backup dancers. It was the type of meticulously thought-out visionary production you might see on an even larger scale at some of Coachella’s most memorable tailormade sets. The bar is set, and odds are Rema will raise it higher.
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